Too Soon: Holiday Music On the Station Formerly Known as The Beat
| http://commons.wikimedia.org/wiki/File:Xmas_tree.svg |
| http://commons.wikimedia.org/wiki/File:Xmas_tree.svg |
![]() |
The Runaways were a teen-girl band of the '70s whose influence reverberates to this day. Its members included Joan Jett, Cherie Currie and Lita Ford. Jett, incidentally, is being played by Kristen Stewart (Twilight) and Dakota Fanning stars as Currie.
In the scene, which is shooting this month, the Ramones are playing at Rodney Bingenheimer's notorious English Disco nightclub in Los Angeles circa 1975. Living Things have already recorded a cover of "We're A Happy Family" for the scene....
"I love Joey Ramone," said Berlin. "He is like the Elvis of punk. It's a mystical, exotic vacation to step into his shoes for a moment."
In addition to having a useful resemblance in attitude to the punk progenitors, the band has a direct line into the production - singer Lillian Berlin is the husband of the film's writer and director Floria Sigismondi.Vintage Ramones clip after the jump.
On Sunday afternoon, July 12, celebrities and baseball legends will gather on the field at Busch Stadium for the Taco Bell All-Star Legends & Celebrity Softball
Game. Musicians scheduled to play include Backstreet Boys member Brian Littrell, Nelly, Chingy, Ashanti and Ginuwine. (No word yet on if the latter rapper, whose new LP, A Man's Thoughts, recently debuted at No. 9 on the Billboard R&B charts, will also have a pony along.) Cards fan Billy Bob Thornton (who also dabbles in music) is also playing. Full list of players and stars after the jump.
Yes, Pitchfork reviewed So Many Dynamos' The Loud Wars this morning, and gave it a middling 5.5. Most of the review talked about Washington, D.C.'s music scene. Gee, that's novel -- I've never heard that SMD sounds like the Dismemberment Plan before. Ever. /sarcasm
Thanks to Idolator, I stumbled upon this review OF Pitchfork's reviews/homepage today. Meta enough for anyone? Trust me -- that's just the tip of the meta-content iceberg. From Popsense:
Paul Thompson is an intelligent, all-around lovable guy with good intentions, but in this review we see him fall victim to a somewhat debilitating case of 'talking about shit that doesn't actually have to do with the music but could help him come to a conclusion about it regardless'.
Thompson describes the Loud Wars as being formulaic, which is inherently meant to hold negative weight. However, if one were to describe an album review that met a formula in which the reviewer talked more about the music recorded on the album instead of other things that aren't recorded on the album, you'd be describing a good review. In a very pitchforkian sense, then Paul Thompson's review is both formulaic and yet not formulaic at all. It's so human yet so digital.
Paging Ouroboros to thread. I agree with Popsense. SMD is playing Wars in its entirely tonight at 9 p.m. at Vintage Vinyl.
[Update, 2 p.m. Thursday, June 25: The band emailed me their side of the story.]
A slightly bizarre scene played itself out at the Firebird tonight, where Thunderkid, Crocodiles and Spelling Bee were set to play a show. Thunderkid opened, and a crowd of 30 or so people had gathered by the time California's Crocodiles were set to perform. For those unfamiliar, the band's a duo, and its beats are pre-programmed. And so a bit after 10:30 p.m., the pair slapped on sunglasses, the backing tracks started, and all systems seemed a go.
Just as quickly, Crocodiles stopped and said that apparently it would have to play acoustic tonight. In fact, the duo seemed really upset at the sound. I heard them say that it sounded "like a boombox" (exactly what that meant was unclear) while RFT writer/pal Todd McKenzie reported hearing them upset about "Fisher Price shit" sound. The Firebird's sound guy (who I didn't know off-hand) went up onstage and tried to fix things, but to no avail. After a short amount of time, the band moved its stuff offstage, and didn't play.
Frankly, none of us in the crowd really knew what was going on -- were the band's tracks not loud enough? Were these tracks muffled onstage? Was something malfunctioning with the band's equipment, or the venue's sound equipment? To its credit, the band said that they didn't have to get paid, and they seemed more frustrated than prima donna; they were apologizing to the crowd while this was going down. And to its credit, the club offered money back to people who wanted it. In fact, the entire thing was more shocking than anything -- I've never really seen anything like this happen before at a show.
I've put in emails to both sides to get some more details. Check back tomorrow.
[Edit, midnight: The Firebird just tweeted this: "We tried to convince Crocodiles to play, even though they were upset. If you left without a refund, please DM us and we'll take care of you." Club also tells me that "If people in attendance email the club, we'd be happy to refund their admission or trade them for guest list at a future show." FB website here.]
[Edit, 10:20 a.m., 6/25: Mike Cracchiolo from the Firebird weighs in below. KDHX's blog also has a post from someone there, with more observations (apparently, band and crowd couldn't hear the drum machine). I sent an email to the band's account, and forwarding that to the label.]
I need a drummer to call for fill ins. If we could practice for an hour, I only need you for 2 sets. You can bring a 3-4 piece kit with hi hat n ride and we'll be just fine. I am not opposed to a hand drum either, just bring a cymbal for accents please or other percussion instruments. I do a wide range of songs, but I only play acoustic.Pretty standard, right? Well, not quite...
Well, now's your chance: Someone just listed a drumset on Craigslist he says was bought from (ostensibly, we assume) ex-Blues hockey player Brett Hull, an "8 piece black & brass emerald drum set." See below --
![]() |
| craigslist.org |
UPDATE, NOON: I was just sent this music video of Hull with the Calgary Flames. Please make sure to view 1:00 or so for Hull's awe-inspiringly bad lip-synch performance.
| www.rosewoodchiropractic.com |
| Photo illustration by Jaime Lees |
Yes, Wilco's eagerly anticipated new album, Wilco (The Album) leaked on the Internet last night. How do I know this? Why, Twitter, of course. I was first alerted via www.twitter.com/diditleak, which posted the news at around 12:45 a.m. Then I decided to search back to see when #wilco started trending.
The first mention I found of the new album came at around 8:30 p.m., from user freeloosedirt. Another user, dekkerd, chatted with him about it. But then things didn't get all crazed, capital-letters-and-exclamation-points, HOLY SHIT WILCO LEAKED!!! until 10:30-11:30 p.m. or so. Then the snap-judgment reviews started rolling in, with reactions ranging from "amazing" to"I want Yankee Hotel Foxtrot Wilco back" and "huge disappointment." Someone even did a "livetweet" of the first listen. That's not even mentioning the people putting up links to the actual album for download.
The way these illicit copies spread across the Internet is fascinating -- like a series of dominoes falling. When you look at a Twitter feed full of Wilco fans, you can really visualize the psychology and reality behind something like a big CD leaking early. Plus, by morning, news of the leak is going to hit blogs and mainstream media, more people are going to look for the album -- and the cycle will perpetuate itself even faster. (Now I wonder if the band/label is going to move up the release date at all.) Other musings: Something I've always wondered about leaks of big albums: They tend to happen at night, Why is this? Also, I'm dying to know where this leak originated, because labels increasingly have a tight grip on highly anticipated albums, and don't release promos at all to press for review. How did this even get out so early?
By the way, I give full credit to the phrase "Wilco (The Leak)" to chrisdotfoster,
[Update, May 25: Sad news to report -- Jay Bennett, R.I.P.]
Now that swine flu hysteria appears to be waning, news organizations must be trying to figure out how to fill space. How else to describe the beyond-comprehensive coverage of the breach-of-contract lawsuit ex-Wilco member/one-time Undertow artist Jay Bennett filed against songwriting darling/Belleville native Jeff Tweedy? Soon after Keegan passed me the Belleville News-Democrat blurb on the filing, I saw the story on Idolator, the Associated Press and Pitchfork -- and later in the day, on Pollstar, Chicagoist and (bizarrely) NYC media blog Gawker.
You can read PDFs of the entire lawsuit here and here, but in a nutshell, Bennett is seeking $50,000-plus in royalties earned on Wilco music he helped create from 1994 to 2001 -- the years he recorded with the band, up through Yankee Hotel Foxtrot -- and for his appearance in the 2002 documentary I Am Trying to Break Your Heart. According to the Chicago Tribune:
[The lawsuit] concedes that Bennett was paid during his years in the group, but only in "infrequent partial payments" equivalent to 15 percent of the band's income from sales and performances.
Bennett claims Tweedy did not compensate him for his appearance in "I Am Trying to Break Your Heart," which documented the creative process behind "Yankee Hotel Foxtrot" in 2000 and captured a scene of Tweedy and Bennett bickering over the mixing of "Heavy Metal Drummer."
The suit argues that Bennett was never paid for his role and that Tweedy "never obtained the necessary releases for the use of Bennett's performance in the film."
Vanilla Ice. Home Nightclub. Saturday, May 16. The Ice-man has a new CD called Platinum Underground. He also has a blog called -- wait for it -- Vanilla Ice blog. He wins because he calls Fall Out Boy's Pete Wentz "Pete Wince" instead (which is just perfect) AND quotes Tammy Faye. Seriously, guys. You know what I'm going to post below.
Dear Smashing Pumpkins collectors,
Why do you keep emailing me, asking if I'm selling my Zeitgeist promo CD? I'm genuinely curious about these queries, which I assume are stemming from my review of the album. For starters, it's mad illegal; my copy is a record-label-issued, numbered and watermarked promo with my name on it. It doesn't even work in my computer. There are no liner notes, it's a simple advance CD in bright yellow-and-black packaging. It has absolutely no value whatsoever, and I'm unsure as to how that completes "your collection." (Cue Comic Book Guy voice.) I'd get in big trouble if I re-sold this. It's never going to happen.
I troll eBay enough to understand the (bizarrely) intrinsic value of advanced and promotional CDs to collectors, so that's not the source of my befuddlement. But beyond that -- you're still ponying up big bucks in 2009 for Smashing Pumpkins memorabilia? I'll vouch for the band all the way up until Machina -- and I love Adore -- but SP Mach v2.0 is a sad shadow of its former self. The band's legacy has been tarnished by mediocre shows, a so-so reunion, the departure of drumming ace Jimmy Chamberlin -- and, as of this weekend this:
Here's a ridiculous story a friend passed to me last night. Apparently,
a red Fender Mustang guitar stolen from Sonic Youth's Lee Ranaldo a decade ago -- one on this list here; note about theft here -- resurfaced recently on eBay. Who bought it? Why, a HUGE SY fan who had no idea it was contraband from one of his favorite bands until after he bought it, from a seller who said he got it from someone in California (the location from where I guess the guitar was pilfered). The buyer messaged someone who works for Ranaldo, via the message board, and is still waiting on word from the band as to what's up. SY's new record, The Eternal, is out on June 9.

www.sonicyouth.com/mustang/eq/gear.html
I'm trying to find a good video of the guitar, but failed, so here's a video from the band's 1986 Mississippi Nights show.
[Update, 11:45 a.m. Calendar Pimp passes along a story about Ranaldo getting other of his stolen guitars back, and a good photo of the guitar.]
You might have heard that Michael Jackson was going to auction off the contents of his Neverland Ranch, but then decided to change his mind at the last second. However! Press in L.A. still had the chance to view the contents of the aborted auction -- and Videothing.com shot video of the contents of the estate. Check out the hilarious video here, and take a look at a slideshow of more curiosities below. Seriously.

Kids, Incorporated was the teeth-rotting children's TV show from the '80s and '90s that's now known for launching the careers of Martika, Jennifer Love Hewitt and Fergie. The premise of the show was simple: kids played in a band, which lead to them covering popular songs of the time in between more traditional skits. And look what I found: The posse covering Marshall Crenshaw's "Someday, Someway" in 1985. Be thankful I didn't post the Cure cover, trust. Fergie Ferg's in the background of this clip; Marshall's at Off Broadway tonight.
Apparently this song was mad popular with performing TV shows in the '80s, because here's a version from Fame (which is actually pretty good).
Kudos to Jaime for finding this awesome 1994 news segment about "the world of rave" and children going to "so-called rave parties," which are "all the rage." Alexis Tucci is mentioned, as is the record store Deep Grooves. Randy Roberts wrote a great piece about this era a few years ago, right here.
| (Artist rendition of the band planning its secret trip to St. Louis.) |