Are STL Blacks Keeping Each Other Down? New Documentary, "City of Haterz," Says Yes

Graphic by Virgil Boyd Jr.
Do area blacks suffer from the "slave mentality"?
In his recent documentary, City of Haterz, local filmmaker Horace Williams explores a combustible hypothesis, best summed up by DJ Cub of Derrty DJs in the first few minutes of the film:
"[St. Louis is] a 'crabs in the barrel' city. One person tries to make it out, and the other person pulls 'em right back down in the barrel."
This kind of self-criticism isn't exactly a sure-fire way for a black citizen to make friends in his or her own demographic -- just ask comedian Bill Cosby or academic John McWhorter, who've voiced similar sentiments on a national level, only to be reviled for airing the community's dirty laundry or for minimizing racism. 

And yet, what's remarkable about City of Haterz is how, one after the other, Williams interviews ordinary black St. Louisans  -- not celebrities who might make a buck from controversy -- and they, too, openly voice the same concerns as Cosby and McWhorter.

And their concerns center not on all of black America, but rather, on St. Louis in particular, which Williams submits has become known as a "City of Haterz"

due to what seems to be a complacent, jealous, and contentious attitude amongst blacks which seems to thrive here and is well recognized by outsiders and by migrants from other major cities and regions of the United States.
What kind of hatin' are we talking about? Take Derrick, for example, who's asked by his white bosses to discipline other black workers who've slacked off under his supervision. The latter accuse him of taking the side of "the white man" -- a situation in which, he says, "they're hating on me when I'm trying to do the right thing."

Or take Honorace, another interviewee. She admits to being "aggressive" with her son's black teachers because she insists he get a good education. When a white parent comes in with a concern, the teachers treat it as legitimate, but when she does, it's "not because I want the best for him....[they think] I'm just upset....because I'm a single mother raising a child."

These are just two of more than 25 interviewees, many of whom share their own stories of "hatin'."

Image via
Filmmaker Horace L. Williams
For his part, Williams -- formerly a videographer for the Marine Corps, now operator of Low Blow Video and Photography -- suggests in his film that this mentality might be a legacy of slavery.

To the extent a "slave mentality" infests St. Louis, Williams says, it's "an attitude when people basically don't strive for anything better in their lives and accept the fate that life hands them instead of taking control of their futures; a mentality where people may feel trapped because they may not see a way out of that condition of life, so no one wants to see others move ahead or make advances out of that environment, and prefer[s] them to stay within the same negative conditions. The slave label ultimately alludes to possibility that many slaves had a similar attitude, which allowed their slave masters to retain control for so many years."

Indeed, Williams spends a large chunk of his film discussing St. Louis' history of slavery. But his two main sources on the subject don't dwell on the horror of that past; rather, they mine it for stories of dignity.

Lynne Jackson, the great-great-granddaughter of Dred Scott, talks at length about her famous ancestor -- yet not about the famous court decision that denied his personhood so much as his own perseverance. (After all, it was Scott himself, along with his wife, who walked up the Old Courthouse steps and filed their own petition for freedom -- a freedom the Scotts won in the final chapter of their lives.)  

Williams also gives a lot of air time to Dr. John Wright, a local historian who touts black St. Louisans of historical signficance:  Elizabeth Keckly (who wrote invaluable memoirs on the Lincoln White House), William Wells Brown (one of the first American black writers) and John Berry Meachum (an early black educator).

These bright spots aside, Williams seems to believe that slavery (in addition to poverty and the drug trade) may be indirectly to blame for the current level of violence among black St. Louisans.

"The abundance of black-on-black violence," Williams intones at one point, "and the high murder rate....could in fact be a trickle-down effect of the 'slave mentality.'"

One woman, sitting in a barber shop, observes this mindset in everyday interactions. "We're so full of self-hate," she says, "we don't even know how to speak to somebody, just to say, 'Hi.'" 

No one in the film denies that racism from whites still plays a role in St. Louis; in fact, local activists Norman R. Seay, Percy Green and John Bordeaux all weigh in and point out that it lingers to this day. So do many other area residents who complain of racial profiling, of neighborhoods unwelcoming to blacks, and of dirty looks they get while shopping (or going on a date with someone from another color).

However, Williams states up front that his film concerns itself equally with both problems and solutions. His big goal, he says, it to "find some positive directives for the advancement of our city," and those ideas are sprinkled throughout the interviews, especially toward the end.

For writer Anthony McDonald, a big change needs to occur regarding marriage.  "We need to teach our daughters that they need to depend on their husbands," he says, "and we need to teach our sons that they need to love and honor their wives."

Poet Reginald Stringfellow says it's not just about marriage, but about parenting: "Black men knowing how to manage their money and their children. That's the key. If you lose that, you've lost everything."

DJ Cub of Derrty DJs
The aforementioned Dr. Wright thinks it's about education -- that African-Americans in St. Louis will "feel better" once they learn about their predecessors in our national history.

But perhaps DJ Cub -- the one who, early on, makes the "crabs in the bucket" analogy -- concludes on the most memorable note:
I love St. Louis, for real. St. Louis goin' be back on top one day. It's just the damn hater-ation need to stop.
The film's official website is here; or watch the trailer.

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Brian Irons
Brian Irons

Come on my black people. Can we do better than this. We are tearing one another down continually. But, for real, it is these people in High Position who aren't doing anything.


If he wants to talk about all the black racism against Whites, I'd stop to listen. Till then he's just another race hustler and anti-White racist. Nice try but ain't buying. Guns don't kill people, blacks with guns (and cars and knives and bats.....) kill people.


What? Whatever happened to "Y T did it!" ?


This is so true. Blacks are stopping one another from elevation. If we not robbing one another, we are harming one another. Lets not talk about the murders.


"City of Haterz" is one of the best documentaries of the last 10 years dealing with black social and cultural atrophy, and its focus on St. Louis was especially poignant. The conversations in the film were yet more evidence of how black culture in this country is fundamentally two cultures: a culture that is broken and self-destructive, and another attempting reform and dialogue.  It is heartbreaking to see that for many, there is no definition or recognition for success that is not defined as "white"...that it remains difficult to be successful and gain respect without having to be part of something "non-black."The culture that is broken and self-destructive has become dependent on racism and suffering as the identifying feature of an entire group of people.  Sadly, the culture that attempts reform is unable to make as much progress as they would otherwise because the negativity of the self-destructive culture influences the rest of the non-black citizen population that progress is skin-deep, hollow, and ultimately impossible.  It leads to the continuation of a racist mindset both within and outside the black community that blacks just aren’t good citizens and aren’t worth saving.  It is an extremely vicious cycle that feeds on itself and results in more poverty and suffering all around as hopelessness feeds on itself.  Any social or cultural identity based on racism, suffering, and entitlement must obsess over it, maintain it, but most importantly keep everyone that belongs to it inside the cultural definition (i.e. hatin) otherwise they lose their identity.  What is very strange is that for all the pronouncements in the film about the pride that blacks should have in their heritage and the large numbers of black St. Louisan’s and American’s that have “made it out”, why hasn’t this glut of examples shown so many that there is a way out of the violence and depression?   The proof of the film’s argument is right in front of us.  It’s not as though black-America lacks examples of success to follow, it’s that many don’t see them as black-American successes…they see those who made it out as outside black culture.  Truly very sad.


...And most of the people they kill are also black. You will never be able to get people who don't respect themselves, I mean their literal selves not just other blacks, to be respectful of others until you deal with their problem. For most of these thugs the real problem is self hate and the reason for it is becaue they hate being black and they actually hate blacks more than you ever could. A lot of them might rob you because of the mistaken belief that all whites have money but they would hit me, another black, in the head and leave me for dead just because I am actually doing something with my life which blows their whole theory that whites are keeping them down.

My success shows up their own personal failure.


There's nothing else to add except that, of course, this mentality goes so far beyond STL or even the midwest. If it didn't we wouldn't have repeats of the same problems in every other major city. However I do agree it is easier to examine and fix your own backyard. So STL keep on doing what you're doing for the people there. KC, Chicago, Witchita, Detroit, etc. follow suit.


Amazing insight and profound. Thanks.

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