30 Years After Founding STL Shakespeare, Donna Northcott Takes a Curtain Call

Categories: Arts
What's more, St. Louis' theater scene has long been defined by periods of booms and busts.

"St. Louis goes through these cycles — we're in the middle of one right now — where there's an explosion of new theater companies," Northcott says. "That has its drawbacks because while the number of companies has expanded greatly, the number of performance spaces, actors, designers, directors, technicians, funding and especially audience has not increased, so we're just dividing the same pie into smaller and smaller pieces."

If the current boom follows past precedent, some of the newer companies will eventually die off, as its members — overworked and underpaid — start to burn out as their companies search for permanent homes and consistent funding.

Kim Carlson
Maggie Winninger in the title role of SLS's most recent Hamlet.
Northcott has weathered past storms by following one simple rule: "No deficit spending. Audience has gone up and down over the years, but we just do not spend money we don't have," she says. "And while I would love to pay everyone working with us more, we have to have enough money for next season, so we have to be creative."

But as Northcott hands over the reins to Peters — staying on as a director and member of the board — St. Louis Shakespeare seems poised not merely to survive the current boom, but also to grow. The company recently found a permanent home when it signed a contract with the Ivory Theatre for its entire 31st season. What's more, Peters is looking to expand the company's repertoire beyond Shakespeare, producing works by fellow Elizabethans such as Christopher Marlowe and John Webster. She's also considering offering more modern adaptations like this month's The Liar, along with a "wildcard" production — anything from Aeschylus or Harold Pinter to Noël Coward or another Tom Stoppard.

"It's been in the works for a while," says Peters, who assures there will always be at least one Shakespeare play per season. "Donna is amazing and wildly talented. These are very big shoes to fill."

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egolterman topcommenter

Resident performing companies making their homes in downtown perfomring arts centers-historic or new-do  very well for too many reasons than to have to list again. But here, the 5 performing and events venues in Kiel Opera House and its location at the largest ground transportation hub in the region,  immediately creates a two-state market-Missouri and Illinois. Resident companies divide up the rent, and  also benefit from the travel business commanded by downtown performing arts centers, year round, weather protected. And from a civic and economic standpoint-they contribute to downtown revitalization.  The St. Louis Shakespeare Company should have been invited into Kiel Opera House years ago. Ditto-Dance St. Louis, the Philharmonic, Stages,  the Bach Society and one of the Reps. Now you have a real downtown not a pretend downtown. What has to happen? The grand avvenue pressure must be released and the St. Louis entertainment market 'freed'.

Lynn Croxton
Lynn Croxton

What? Couldn't find a way to make this about Ferguson? What a nice change!

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