With Its Fourth Venue Change, We Ask a Dozen Questions of London Calling's Doug Curtis
|Photo: Egan O'Keefe|
|Doug Curts, the person behind London Calling (and those awful sunglasses). See photos from Saturday night's London Calling here.|
Last night was a lot of fun! Our crowd is still just getting used to the new venue and so are we, as we found out last night with the sound issues. Our crossover settings got turned up and we ended up drawing too much power from the circuit breaker. So for a little bit we were blowing the breaker every five minutes, not fun. Fortunately, Michael from Designer Drugs got on stage and helped us out by turning up the stage monitor and keeping the crowd rocking. It wouldn't be a South Side party if the power didn't get cut, right?
What's the capacity?
Ah, this is a very good question. It depends on who you ask? The city said something like 200, but the architects said over 400. Seems like a pretty wide gap if you ask me? I'd guess somewhere in between the two numbers.
See a slideshow from London Calling on December 12.
Did the club sell out in terms of capacity? How many people were there?
Technically we did sell out, but we were anticipating a few more bodies to fill out the club. Unfortunately the bizarre December thunderstorm really hurt our attendance. Our final number was over 250 total.
How did you meet up with the folks at Shock City Music and arrange to have London Calling there?
I met [studio co-owners] Doug Firley and Chris Loesch from a mutual friend of mine, and I've been a huge fan of the studio since they opened earlier this year. I went on a tour of their building and found out they had an amazing unused warehouse space on their second floor. So immediately I felt there would be a great opportunity for London Calling and Shock City Studios to come together and create a lot synergy between the two.
Who prepared for the space to become a dance club?
Mainly my business partner Jesse Jones [owner of the Stable] and myself, along with countless other close friends who volunteered many hours to get the space ready for our parties.
This is the third venue in less than a year and the fourth in since London Calling started. Why all the changes?
2009 has been a year of unbelievable challenges for London Calling regarding venues. We've only moved venues out of necessity, not by choice. We've been very fortunate to have been able to work with some amazing venue/owners since we started London Calling back in 2006. I especially would like to thank Pat Hagin of the Halo Bar, who during this past spring took in London Calling for six months when had to make an emergency move from the Stable Loft.
What does this new space offer that the others did not?