The Six Best Rock Songs With Turntables

Categories: Nitpick Six

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Remember when the turntable was considered a legitimate instrument in a rock band? Neither do I. But there are rare instances where DJ scratches are not a dealbreaker in a non hip-hop context. Here are the six best rock songs featuring turntables. Let us know your favorites and we'll REEEEEEEEEEEEMIX. (Note; Remixes are not included in this list)

6. Pearl Jam & Cypress Hill - "Real Thing"
Real Thing by Pearl Jam & Cypress Hill on Grooveshark

Judgement Night was a forgettable 1993 action flick starring Emilio Estevez and Dennis Leary; its soundtrack, which commissioned rock bands to collaborate with hip-hop artists, is more memorable. Some of the pairings are clumsy, like Sonic Youth and Cypress Hill's dub weed ode "I Love You Mary Jane." Cypress Hill's other contribution, "Real Thing" with Pearl Jam is the album's second best track (behind the Helmet/House Of Pain opening cut) and the most direct example of the then-rare meeting of turntables and alternative rock.

5. The Dismemberment Plan - "Close To Me"
Close To Me by The Dismemberment Plan on Grooveshark
If I wasn't told that this was a cover of the Cure classic, I may never have figured it out. The Dismemberment Plan's contribution to the Give Me The Cure covers compilation is a head-scratcher even before the unexpected turntable cameo. What's particularly impressive is how much the scratches resemble the guitar work - which, in the great tradition of Washington D.C. indie rock, is "angular." Back in 1995, the Dismemberment Plan was a snotty, art-punk band whose debut ! sounded like a band playing in a sewer (this practice would not be commonplace until ten years later in Baltimore). "Close To Me" is the first sign of ambition that lands outside of the realm of fast and loud. Oh, and The Dismemberment Plan is writing new songs now, which is totally freaking me out.

4. Deftones - "MX"
MX by Deftones on Grooveshark
If Deftones wanted to break away from the nu-metal trend of the late 90s, adding new band member Frank Delgado on turntables was a questionable decision. Luckily, Delgado preferred to use records as a sampler, manipulating the sounds and capitalizing on the warbling pitch that results when an LP is scrubbed over the needle. "MX" from Around The Fur, Delgado's first appearance as a Deftone, is one such example. I have no idea what source record he is using, or what effects he runs said record through, but I do know it sounds like a demon laughing, which is all together not out of place in a Deftones song.

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