Out Every Night: The Best Shows From September 24 to 30
So there's news about the news in the news this week: We here at the RFT have new owners. Some of you may be aware of Backpage.com and the controversy it has caused for many alt-weeklies across the country -- well, we are no longer affiliated, so that's that. And aside from that, it's business as usual. "I, for one, welcome our new [corporate] overlords."
Nick Lowe - Wednesday @ The Sheldon
There's a lot of people coming to town this week that identify their music-making enterprises with their own names. Two guys named "Nick" are coming to town on Wednesday and Friday (respectively)*, Leo is coming to the Wildey theater (never mind that cancelled Chesterfield Amphitheater show from last week), John is going to be playing multiple sets at Jazz at the Bistro over the weekend, and Marquise will be at the Contemporary Art Museum tonight. If you want last names, you're just going to have to click through -- check out all of our picks below.
* I made my self laugh out loud. I am my own biggest fan.
STLDW 2012 - ARTEFFECT
Mon., 6:00 p.m. September 24
w/ Marquise Knox, The Vintage Years
@ Contemporary Art Museum St. Louis - $5-$50
By Dean C. Minderman
Marquise Knox learned the blues at the foot of legendary singer, guitarist and pianist Henry Townsend, and has been impressing audiences with his singing, stage smarts and guitar skills since before he was old enough to have a driver's license. Now just turned 21, Knox already is something of a veteran, with three albums to his credit, including Man Child, which in 2010 won the "Best Debut" award from Living Blues magazine, and his most recent, Here I Am, on the APO label. Knox has toured in Europe and played festivals across the USA, but also continues to work regularly at home, giving local fans a front row seat for his continued growth as a songwriter and performer.
Tues., 8:30 p.m. September 25
@ The Firebird - $25
By Kiernan Maletsky
Lil B is coming to the Firebird. He'll be making his first St. Louis appearance on Tuesday, September 25 -- tickets are $25 and on sale now. The Based God is one of the most prolific rappers of the last few years, in every possible way: He breathes tweets, sweats mixtapes and craps videos. They have all varied greatly -- being a fan of Lil B is about persona and social cues at least as much as it is about actual music.
Wed., 8:00 p.m. September 26
@ The Sheldon - $30-$35
By Christian Schaeffer
It's hard to think of another artist who has settled into middle age as comfortably and admirably as Nick Lowe. The former king of pub rock and byword for smart, sly New Wave and pop music in the '70s and '80s now holds an endowed chair in the singer-songwriters' ivory tower, an éminence grise that befits his stately and avuncular white mane. Last year's The Old Magic finds his voice slinking into a warm lower register, adorned by jazz- and country-flecked arrangements. His pen is sharp as ever -- "Checkout Time" ruminates on a passing time and the road ahead, while "Stoplight Roses" has the lyrical wit and shame-on-you tone of the best country moralizers. Last Time: As if in thanks for allowing the spot-on cover of "I Love My Label," Wilco asked Lowe to open a leg of its last U.S. tour, which found Lowe performing acoustic renditions of his songs last October at the Peabody Opera House.
Thurs., 8:00 p.m. September 27
@ Wildey Theatre - $45-$65
By Roy Kasten
The early work of Leo Kottke is held in such high esteem by anyone who cares about the power of one man playing one acoustic guitar that his late-period work gets short shrift. It's as if the man who spent the '70s redefining the instrument and destroying his right hand in the furious process had nothing left to say. One listen to his recent collaboration with Mike Gordon, one trip through a dizzying '90s album like Peculiaroso or even just one cheap seat in a concert hall can prove his inexhaustible humor and insatiable desire to wreck everything you thought you knew about melody, rhythm and harmony. And then he'll rebuild it all beautifully, on just a six or twelve-string guitar. Listen For: Kottke's abyss-plunged voice and shaggy-dog stories are true secret weapons. You never know what he'll say or play next.
Fri., 8:30 p.m. September 28
@ Plush - $10-$12
By Roy Kasten
The soul revival arc, from Sharon Jones to Mayer Hawthorne, takes the mid-'60s as a starting point and the late '70s as an end point. On his debut album Time's All Gone, Nick Waterhouse draws a bead on the earliest geniuses of soul -- Ray Charles and Solomon Burke-- and blasts them with hipster cool, even as he sings like a wiry punk at heart. This California kid can hold his own against a ménage de sexpot backup singers, a sweaty cavern of slap-back reverb and a baritone sax with the tone of a barge honking all the way to New Orleans. There's no turning back when you're this rock 'n' soul gone. Make or Break: Waterhouse recently scored a slot on "Live From Daryl's House," the Daryl Hall-produced broadcast that helped launch the far more polished Fitz and the Tantrums.
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