Out Every Night: The Best Shows in St. Louis from February 11 to 17
Jukebox the Ghost - Friday @ The Firebird
Perhaps one of the greatest joys of this here job is seeing what bands come up with for press photos. They range from strange and deranged to just plain silly (as shown above in string form). In case you missed it last year, my predecessor and now music editor Daniel Hill compiled a list of the 15 most ridiculous band promo photos. Be on the lookout sometime this year for an updated list from him. Until then, click through to see some mighty fine promo photos of this week's show recommendation stars, including the LA garage-blues band Vintage Trouble and violin-slinging Kishi Bashi among lively locals like Funky Butt Brass Band.
Mon., 9 p.m., February 11
w/ Cassie Morgan and The Lonesome Pine
@ Off Broadway - $10
By Christian Schaeffer
Maybe it's fitting that Winston Yellen sounds like the name of a Flannery O'Connor character - there's a mix of faith and fury in the songs he creates under the moniker Night Beds. Yellen is a Colorado native who transplanted himself to Nashville, but the "country" on his debut Country Sleep is many miles away from Music Row. His music is more suited for the violet hour - songs like "Even If We Try" are sleepy and perfectly reverberant, while lead single "Ramona" has more punch in its grooves while still leaving room for Yellen's clear and transparently expressive voice.
Funky Butt Brass Band
Tues., 8 p.m., February 12
@ Broadway Oyster Bar - $6
By Calvin Cox
While firmly rooted in the tradition of the New Orleans brass band, FBBB often adds elements of funk, soul and Southern rock during their playful and spirited sets. The infectious bellowing of the horn section and the sousaphone's booming bass-line provide the band's orthodox brass/jazz foundation, while the rhythm guitar and drum kit allow for more flexibility on their less conventional tracks. The end result is upbeat, feel-good music accessible by all.
Wed., 9 p.m., February 13
w/ Cartwheel, All the Sad Young Men
@ The Heavy Anchor - $5
By Christian Schaeffer
From a 2011 album review: At first blush, it's easy to dismiss Scarlet Tanager as harmless, sexless twee-pop, and on a few cursory listens to the album, that's mostly all you'll hear. Songs of young love and bike rides mix with coloring-books metaphors and nursery rhyme snippets. Certainly, the ra-ra catchiness of a song like "Bum Bum Bum" begins to wear off, despite some slinky guitar lines and the obvious enthusiasm the band brings to nearly every track. But it's more accurate to say that Scarlet Tanager uses the shared language of childhood -- long summers, skinned knees, secret hideaways -- to make sense of the hormonal tidal waves and emotional bruises that come with growing up. With low drums, barbed guitar strokes and smoky delivery, "Baby Bunting" is, despite its title, the furthest thing from a lullaby; it sounds positively adult next to the shared hymns and sing-alongs on the rest of American Songbird. Similarly, the Mellotron flutes and gentles strums of "No One Likes a Quitter" shows that the sun must set on every summer. Songs like these serve as a reminder that inside every dead-eyed puppet, there's a human hand doing the real work.
Valentine's Day Dance Party
Thurs., 9 p.m., February 14
w/ Barely Free Partial Prisoners, Black James, MME, 18andCounting
@ mushmaus - $5
By Joseph Hess
Jake Cohen spits raps without a mic, above anti-music with a beat. The Barely Free Partial Prisoners isn't your typical hand-me-down hip-hop; its two core members revel in noise and deliver sounds with punk ferocity. Cohen often screams over backtracks, while Jason LaChance lays down static and tone. One part parody, two parts reality, Barely Free's lyrics feel personal and at times depraved. The overlaying message still rings true, and its positive discourse cuts through the music. Barely Free delivers the dance with the mosh, and its noise feels more at home beside hardcore and no-wave than any form of electronica.