Country: Meet the 2013 RFT Music Award Nominees
The 2013 Riverfront Times Music Showcase is this weekend! Think of it as St. Louis music's own official holiday and consider this the season. Throughout May we at RFT Music have been working hard to make our cases for all 130 bands and artists nominated for an RFT Music Award this year in 26 categories. Read on and get yourself acquainted, and we'll see you at the showcase (check out this post for the full schedule)!
There are bands in this town that hem and haw around the "country" appellation, with a fiddle solo here or a "Yee-haw!" there -- and then there's Colonel Ford. The members of this quintet honed their Bakersfield bona fides via years of gigging with a variety of acts, and the combined effort has the worn-leather feel of an old baseball mitt. Jay Farrar has been known to sit in on pedal steel from time to time, but he'd be the first to admit that he's a relative rookie among the ranks. (He snagged Telecaster master Gary Hunt to join Son Volt on its tour behind Honky Tonk.) That said, St. Louisans are plenty lucky to salute Colonel Ford on smaller stages most weeks.
Led by singer and songwriter Eric Sargent, the Dive Poets have become the not-quite-elder statesmen of St. Louis' Americana scene. Since forming in 2006, the band has expanded its numbers and sound, adding keyboards and fiddle. As a result, the ensemble can play to its jangle strengths as easily as it can play to the honky-tonk stories implied by its name. A new album should be due out later this year, and if the first single, "Some Great War," is any indication, the Poets have managed to mature without losing their collective freewheeling, twangy instinct.
Jack Grelle and the Johnson Family Band
If you're looking for heartwarming tales of hope and small-town American dreams, don't look at Jack Grelle and the Johnson Family Band. The group's latest, self-titled release starts out with a question: "A broken guitar and a blind dog, what's a man to do?" It's the kind of line John Prine might have written in a darker moment, and Grelle sings it, as he does every line, with deadpan wit. But Grelle's music isn't some gothic freak show. He mixes in honky tonk and old-time blues into his brand of Americana, and the graceful sounds of pedal steel and harmonica provide just the tonic to the honest, hard-luck stories he spins.