Indie Rock: Meet the 2013 RFT Music Award Nominees
The 2013 Riverfront Times Music Showcase is this weekend! Think of it as St. Louis music's own official holiday and consider this the season. Throughout May we at RFT Music have been working hard to make our cases for all 130 bands and artists nominated for an RFT Music Award this year in 26 categories. Read on and get yourself acquainted, and we'll see you at the showcase (check out this post for the full schedule)!
When Aquitaine rechristened itself after a stint as Super Moon (and then, briefly, Super Maroon), the band made its intentions as Union Jack-waving Anglophiles known at An Under Cover Weekend by covering Oasis. If that was your first exposure to this ensemble of scene vets, you got a taste of the guitar-heavy, melodically driven songs on the band's debut EP, American Pulverizer, Part 1. You could play "spot the influence" with certain songs — Joy Division, the Bunnymen, the Jam — but you'd do well to remember that Aquitaine uses its influences as a jumping-off point, as singer and bassist Will Hildebrandt has the voice, charisma and cocksuredness required to sell this material.
"Best new band." "Band to watch." Bear Hive has rightfully earned some major accolades over the past couple of years, but we can't help but consider the trio our little secret, in the best way possible. There's a magical quality to the way Chris Phillips, Joel Burton and Nate Heininger perform together — a feeling of "Damn, they're good! And they're MINE!" — that we just don't want to let go of, no matter how big they get or how many music experts notice them. These multi-instrumentalists fill albums and rooms with sonic sighs, expressive lyrics and foot-stomping riffs, echoing dreamy Death Cab for Cutie or a more earnest MGMT. Bear Hive is the band to hold in your heart now, because by next year the secret may be out, and it'll be too late.
Foxing's Conor Murphy sings onstage like he is locked away in his bedroom. As he throws his voice around to an anonymous audience, it appears he is without awareness of a crowd presence. When he chooses to sing, he is alone — no PBR-laden palms, no glassy-eyed gazes to distract him. Of course, he is not alone. He is backed by drummer Jon Hellwig, guitarists Eric Hudson and Ricky Sampson and bassist Josh Coll. Together they appear to labor through their pain and make emo-fied indie punk punctuated with movie clips. To go to a Foxing show or listen to the band's recordings is to witness catharsis through music. Makes sense: There's no placebo to trick the brain into curing itself of discomfort, and half the boys of Foxing are too young to buy alcohol.