The Rats & People Motion Picture Orchestra Composes Music For the Shakespeare Festival's Production of Twelfth Night
For the first time in its history, the Shakespeare Festival St. Louis will incorporate live music into its performances -- original, locally composed music at that! The dozen or so songs and snippets that made the final cut come from the minds behind Rats & People Motion Picture Orchestra, the small ensemble well known in town for composing and performing its own scores to silent films.
Mabel Suen The Rats and People Motion Picture Orchestra's Matt Pace (left) and Brien Seyle (right) rehearse a song with cast member Andy Paterson (center) on the set of Twelfth Night.
This spring, the R&P MPO takes a siesta from accompanying the silver screen to take on the Shakespeare Fest's main stage in Forest Park during the season's production of Twelfth Night. Grab a blanket, join fellow groundlings in the pit and look closely -- you'll be able to spot the R&P's Brien Seyle as an extra on the stage during each performance, expertly playing tunes on his violin alongside actors specifically cast because they, too, can hold their own on various stringed instruments (plus a flute).
For the uninitiated (don't worry, we don't remember much from our high school English classes either), Shakespeare's comedy Twelfth Night includes themes of gender and role reversal, lots of falling in love and perhaps most prominently, an emphasis on music and whimsy from start to finish.
When asked how working in a theatre environment for the first time compares to composing for films, Matt Pace of R&P says, "I'm having a blast and would totally do it again. We write music and adjust it to go with the scenes, so it's not that different from what we usually do."
"It's pretty natural for what the Rats and People do, which is to use music to push narrative," says Seyle. "Theatre was a natural next step."
Image via Instrument-wielding members of the cast on the set of Twelfth Night, created by scenic designer Scott Neale.
What began as a would-be live orchestra pit evolved into the idea of having songs performed directly in the play's world (featuring an impressive 20 foot tall moon) by the cast on stage. Since last September, Seyle and Pace worked with director Rick Dildine to develop their music along with his multi-genre ideals.
Continue to page two for more.