Experimental Artist Kevin Harris Releases a Split Tape with Nathan Cook Tonight
|Courtesy of Kevin Harris|
Kevin Harris: The fact that it is a post-apocalyptic industrial wasteland playground! South city feels like some sort of giant commune where laws don't apply to the same degree as elsewhere. It is also acceptable not to care what clothes you are wearing. Someone once told me that I always look like I either just woke up or am about to go to bed - I really like this concept.
I make music and art because... I want to change the way humans think about their lives, relationships, political structures, religious deities, social constructs, and addiction to television and fashionable consumption. I like to work, and it is the only type of work that is also fun (except maybe a professional drug taker or cake eater). I have a really short attention span. My heart beats really fast with excitement when I think about tomorrow. I'm trying to prove to myself that I am not stupid. It helps me repress unpleasant thoughts. I like dealing with sounds and objects more than people.
I've learned the most from... my cat...
I'm most productive when... I get a good nights sleep.
Some of the most memorable projects and collaborations I've been a part of are... They are all memorable!
The St. Louis music scene could use... I can really only speak for a very small section of the music community, that of mostly non-traditional music (music that does not seek to utilize formulas developed within the context of historical music traditions). This type of music has had an impact on my life because of its high degree of authenticity. If music does not reference tradition, it becomes impossible to use popular models of critical examination, such as comparing music to existing forms to arrive at qualitative determinations. This necessitates the need for a unique type of appreciation - an appreciation also absent from the tradition of music appreciation. It forces the audience to be creative and truly question what it means to "like" a particular style or piece of music (mostly what people think they like is really just what they are familiar with. There have recently been studies on the way long and short term memory interact with one another when listening to music. It turns out that when musical information is stored in short term memory, it is also passing through our long term memory to reference stored musical info. The sets of information are bound together into groupings that produce satisfying feelings when musical information is familiar to us). This process teaches us that sound can be beautiful, challenging, cerebral, emotional, and an entire world of complexity when it is arranged in novel ways, and just as this process shows the importance of approaching music without preconceived notions and expectations, it can also be used to show the importance of approaching all aspects of life with an open mind.
So... what can the non-traditional music scene in St. Louis use? Good critics who understand this music and tell others why it is so appealing. This community needs a voice, representatives to tell the story and inspire people.
Five current artists worth listening to are...
1. Matt Carlson - Particle Language. This album is an amazingly refined mess of abstract synthesizer techniques, flutters of dynamic intensity, and a perfect balance of random and almost random passages. I think it came out in 2011. He has a newer record, more structured, not as good as this one - but still good.
2. Eric Lanham - Sincere Interruptions. Now this is a beautiful record. It has timbres I have never heard anywhere else and have no idea how they are made. The space between sounds is so perfect on this one.
3. Mario Verandi - Distant Shores, 2001. This is an avant garde masterpiece. It will change your life!
4. Rashad Becker - Traditional Music of Notional Species Vol. 1. This one I just heard for the first time yesterday. I don't even think it is out yet, but the tracks I heard sound amazing! I think he is known mostly for being a mastering engineer, but his tracks sound pretty incredible:
5. Because Hecker rhymes with Becker, I will mention Florian Hecker.
Do you know a project or band that should be considered for this series? Drop a line to firstname.lastname@example.org.
Previously from our Fill in the Blank series:
- Heavy Horse
- Barely Free Partial Prisoners
- The Defeated County
- Lizzie Weber
- Superfun Yeah Yeah Rocketship
- The Blind Eyes