Here's How Miley Cyrus Infiltrated the Hip Hop Community

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By Nick Nuk'em

After being wildly-ecstatic about the Jay Z song that was on in her debut single as Miley Cyrus "Party in the USA" (Hannah Montana's eulogy could've been given at the video shoot), the former Disney starlet recently found herself being referred to on Hov's recent MCHG. One could say the tables have turned. With her much publicized image shift, Miley has found herself not only on a freeway overpass in L.A., but also firmly aboard the train that is contemporary hip-hop.

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While we've all witnessed the twerk movement's mainstream come up, (hello Diplo's "express yourself" fad), it's been more or less baffling to watch the former Disney damsel who was once off limits to Young Money's Mack Maine (refer to the outro of "Every Girl) back her booty up into a raunchier brand of commercial success than she is accustomed to. Cyrus' much-discussed VMA performance was nothing more than the drying of the cement illustrating that twerking is now totally hip-hop.

Miley haters -- girls on the Internet who are mad that they'll have never have the chance to dance on ol' Robin Thicke to the uptight officials at the Parents Television Council who are now "urging" Congress to step -- can't fight the fact that Cyrus is making a lot of money off of the VMA scandal. Two of Miley's songs are currently on iTunes' Top 10 singles chart. But how has the former Hannah Montana managed to barge her way into hip-hop? Easy. A little ass shaking combined with finding the right clique.

In March, not long after Miley shaved off the majority of her hair, she also seemed to stop giving any of the shits long associated with the Disney franchise she once belonged to. Blogs everywhere scurried to feed us footage of the twenty year old in her first public twerk demonstration, during which, of course, she wore a unicorn outfit. Our mutual "Miley did what?!" reaction would be exponentially overshadowed by forthcoming events that have ushered her into front row of the rap game.

The next stage of hip-hop stardom came via a Juicy J show in June. Spectators at the Sunset Strip House of Blues, including Wiz Khalifa, bore witness to the dancing that almost immediately became Internet lore. With hands on a table and her back to the crowd, Miley gave a pop-lock-and-dropping performance, before grinding on Juicy himself. It was as riveting a first move that one could make (or, uh, shake) toward becoming a relevant figure in the booty-loving genre and also a promotion of status in the rap community.

Before the digitized smoke could clear, Miley dropped "We Can't Stop", a collaboration with producer Mike Will Made It, the man also behind 2 Chainz's "No Lie", Juicy's "Bandz A Make Her Dance", and Rihanna's "Pour It Up". With the Atlanta-based producer lending both beats and lyrics to "We Can't Stop", the song has gone double platinum in less than three months. Cyrus, Juicy J and Wiz Khalifa all have verses on Mike Will's new single "23", and yes, you read that correctly. She's also rapping now.

Dropping just days ago, "23" features Juicy J and Khalifa engaging in their usual kush-infused content. Miley trudges on some new territory.


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20 comments
Martin Gilbertson
Martin Gilbertson

why is this freak still making news??? There are wayyyy more impt things going on right now!

Alexander Wilson
Alexander Wilson

What makes me laugh is the writer seems to think Miley has severed her ties to the Disney Company. She is older and can't do the Hannah Montana shtick any more. She and Disney are reaching out to their audience, and this is what they want to see.

Leslee Brown
Leslee Brown

If I have to see this broad sticking her tongue out one more time it'll be too soon

Julie Davis Chow
Julie Davis Chow

and the skank community, walking in Lindsey Lohan's footsteps

Windel Mathes
Windel Mathes

Well, you've succeeded in getting my attention with the whorable picture...

John L. Williams
John L. Williams

I have a feeling like she is the one being infiltrated by the hip-hop community. Heyoo!

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