Magnolia Summer Made the Clash's Mick Jones Run Away: Feature Extras
Allison Babka Four out of five Germans at South by Southwest agree: Chris Grabau and John Horton of Magnolia Summer rock.
Here at RFT Music, we chat with music luminaries of all sorts -- nationally touring musicians, roadies, industry authors, tour promoters and more. The interviews we conduct with these folks are enlightening, but time is limited, and we usually finish our business within twenty minutes. That's why we especially relish talking with St. Louis musicians, who seem to dig throwing back a couple of drinks with us while dishing on their songwriting process and favorite gigs.
That's exactly what happened when we met with Magnolia Summer's Chris Grabau and John Horton at the Royale for this week's print feature. As you'll read in the issue, Grabau and Horton had plenty to say about the making of The Hill or the Climb, the band's first full-length album since 2009 that will be released and celebrated Saturday, Jan. 18, at Off Broadway. But after four hours of chatting and several of tavern keeper Steven Smith's specialty libations, the truly compelling stories started flowing -- too many to fit into the print piece. So below, check out our favorite weird, wonderful things we learned from Grabau and Horton. Warning: cartoons and celebrity stalking ahead.
Germany loves Magnolia Summer.
"[When we played South by Southwest] there was a crowd of people who would come up -- this handful of people from Germany. They had our whole catalog and were seeing our band for the first time," Grabau says. "And that's kind of a cool thing; that makes the trip worthwhile, to play in front of people who normally wouldn't get to see us."
Horton believes that music is in the genes.
"I think there's some genetic component to it. I think it's passed naturally to me, and I think it's my mom's side of the family -- the one with all the nuts," Horton says. "I never really thought about this until there was a weird family reunion about four years ago, and fucking everybody played music [including a relative who played bass for Mel and Tim, which scored a hit with "Backfield in Motion" in the 1960s]. There are all these musician types not just on my mom's side, but also on my mom's mom's side. They're an interesting bunch and fun to hang around with for a weekend."
ABC's Wide World of Sports influenced a song on the album.
"From the songwriting front, 'Faulty Designs' was kind of a a surprise for me. There are a couple of lines that came out of nowhere. I don't know exactly how, but I was writing the song, and Vinko Bogataj came up," Grabau says. "He's the skier -- we're talking late '70s, early '80s after Super Friends and cartoons. You'd have Superman and all these great superheroes, and then [deep announcer's voice from Wide World of Sports] 'Spanning the globe,' and [show host] Jim McKay would be talking about feats of athleticism. But then this Vinko Bogataj tried to go off that ski jump, and he totally wipes off, and it's such a huge contrast between that and Super Friends. And I thought he'd died when I was a kid! I mean, every day after Super Friends, this man [seemingly] died! But he didn't die at all; he was fine.
"I actually like the metaphor of Vinko Bogataj -- this man who was competing at the height of his career and became an example of a very literal fall of man. And in an odd way, he's a folk hero. Everybody knows who he is: he's the guy who spun off the ramp. He would totally be a GIF now," Grabau says.
Continue for a face-palming moment with a member of the Clash.