Mild Power Presents Experimental Music and Intermedia Art in Unconventional Show Spaces

Categories: Live and Local

Courtesy of Jeremy Kannapell
Mild Power is a new experimental show series in St. Louis.
A mile south of the Arch, the Kerr Foundation Building (21 O'Fallon Street; 314-436-3325) sits on the Mississippi riverfront, amid an industrial graveyard of forgotten warehouses. Built in 1894 as a private bathhouse and health spa, the space found a second life in the mid-naughts with $2 million worth of LEED-Platinum certified renovations. The sustainability-based gem of a space acts as one of several unique venues for Mild Power, a new series curated by local artists Jeremy Kannapell and Kevin Harris that will showcase experimental music and intermedia art from near and far.

See also: The Best St. Louis Noise/Experimental Shows: February 2014

The first event from Mild Power -- this Thursday, February 13 -- will provide plenty of melodic, electronics-based dance music and more to get its inaugural crowd moving at the Kerr. The bill features Berlin-based artist Steve Warwick, who performs catchy, minimalist dance music under the moniker Heatsick. Local noisemakers Raglani and Black James, who each know how to electrify rooms in their own right, round out the evening's synesthetic sounds.

Press Photo
The first Mild Power show features Heatsick from Berlin.
For Kannapell, who coordinates programs for New Music Circle and also performs as Ghost Ice, Mild Power came about as a way to collaborate with fellow artists and musicians to execute the highest-production events possible while maintaining a do-it-yourself framework able to support everything from touring performers to commission-based projects. With the intent of activating sound and space, Mild Power will feature electronic and electro-acoustic music, film and video, free improvisation and sound art.

"It's making an emphasis on experimental and electronic forms of new avant-garde music, but it can also take on territories like Heatsick's dance music, because there's a lot of underlying experimentation buried in there," says Kannapell. "He uses very simple means to make a form of experimental music that's a little more home-brewed and at the same time a lot more catchy and visceral."

Courtesy of Jeremy Kannapell
Visual artists Chad Eivens and Kevin Harris prep for the show this Thursday by setting up giant screens for full-color video projections.
To further transform the room into a living, breathing womb of sight and sound this Thursday, Harris and fellow videographer Chad Eivens will process images of each performer through modular and analog video equipment, projecting three separate sets of synthesized, solarized full-color images onto wall-sized screens. It's a triple rainbow. What does it mean?

Continue to page two for more.

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