Out Every Night: The Best Shows in St. Louis From February 17 to 23
It's President's Day! Kick off the week with a rousing show at Livery Company featuring some south city rappers. For more hip hop this week, plan on checking on the Third Annual J Dilla Tribute featuring some of the city's best as they pay homage with a jam-packed bill of local talent. From indie pop and thrash to experimental sounds from the New Music Circle's next installment, there's plenty to see this week -- including the Barenaked Ladies at this year's Soulard pet parade. Read on for our recommendations.
Press Photo Mayer Hawthrone - Thursday, February 20 @ The Pageant.
Barely Free Partial Prisoners
Monday, February 17, 9 p.m.
w/ Gary K. Hurst, Seymour Justice, Living Room Lava
@ Livery Company - free
By Joseph Hess
From this 2013 profile: Barely Free melds noise and hip-hop and pushes the whole affair through a punk rock filter. Performances are weird but refreshing, and Cohen anchors the sound with lyrics, letting all else go completely haywire. LaChance swats at a theremin while gripping a table full of noisy toys to the service of Cohen's vocal howling, which includes frequent off-mic screaming. Cohen's brainchild feels just as home in a night club as it does in a dusty South City basement.
Tuesday, February 18, 9 p.m.
w/ Grammer, Dissention
@ Livery Company - $5
By Jimmy Eberle
From "The Best St. Louis Punk/Hardcore Shows: February 2014": Massachusetts' Aviator plays a very deep, honest style of melodic post-hardcore in the vein of Modern Life is War or Defeater. Cut away the eBay price-hikes and fairweather fans and you have an overall intense hardcore show that brings back memories of the Lemp Arts Center shows when Adam the Devastator booking. Memory Lane aside, bring your five bones for the suggested donation and wigout on the dance floor.
Wednesday, February 19, 8 p.m.
w/ Teddy Thompson
@ The Pageant - $25
By Roy Kasten
The Coen Brothers' Inside Llewyn Davis hasn't made folk music cool again -- as if anything could -- but it does capture the pathos and comedy of its waning revival in the '60s. But the American scene had nothing on the UK, where musicians like Richard Thompson tapped into something so archetypal and yet so complex it had the force of musical revolution. When Thompson plays the acoustic guitar -- as he will as a solo performer at the Pageant -- the whole promise of the instrument comes into earshot, sometimes in a single break on a lone piper's tune. Thompson is that rare performer who can stand and deliver better than any band -- unless it's a band he's leading. Wearing his father's influence lightly, opener Teddy Thompson has made his own way through the prism of a pop crooner's voice.
Thursday, February 20, 8 p.m.
@ The Pageant - $20-$24.50
By Roy Kasten
Mayer Hawthorne (née Andrew Mayer Cohen) knows how to win over soul-revival skeptics, even if he's cutting in just as the slow-dance groove is hitting peak pheromone exchange. Looking like the prep-school class president you always wanted to hate -- but couldn't because he was too damn smooth -- Cohen may have never had a musical thought that Curtis Mayfield didn't think up first, but only a stick-up-the-ass purist wouldn't move that backside to his impeccable samples and hard-funking band. Especially when he's convincingly calling out for the rebirth of his not-quite-native Detroit in the career song "A Long Time." Danish duo Quadron starts this party with a disco-fied take on dance-floor pop.