Queens of the Stone Age Delivers a Short But Sweet Set at Pointfest: Review, Photos and Setlist

Categories: Show Recaps

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Jason Stoff
Queens of the Stone Age
Queens of the Stone Age was a perfect choice for the Point's (KPNT 105.7) annual Pointfest. After all, QOTSA is one of the only bands able to strike the balance between the muscular rock that appeals to the station's listeners and the arty sensibilities that resonate with indie audiences, thus ensuring mass appeal. The California desert quintet played up to the former crowd that dominated the venue with a set that leaned on its hardest-rocking material, resulting in a thunderous and thrilling performance.

Leading off with "...Millionaire," Queens exhibited a tight chemistry from the beginning. While it's awkward to hear frontman Josh Homme sing where his departed bandmate Nick Oliveri once screamed, all five musicians locked into the song's propulsive, snarling groove and set the table nicely for "No One Knows." There's nothing like playing your biggest hit early to fully capture the attention of your audience. Homme took advantage of this to tell the crowd during the bass breakdown that the group had been drinking tequila since 4 p.m. He then instructed the sign-language interpreter to relay the message to "fuck shit up."

Homme kept up the debauched rock-star routine for a few songs before the tequila apparently wore off, but the band itself was unrelenting. Queens powered through straight-ahead rockers including blues stomper "Burn The Witch" and the tongue-in-cheek glam scorcher "Smooth Sailing" with aplomb. All the while, Homme, Troy Van Leeuwen and Dean Fertita traded stellar guitar solos, using their recorded counterparts as a loose template off of which to improvise.

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Jason Stoff
Queens of the Stone Age

Not that they were always playing six-stringers; Van Leeuwen and Fertita spent just as much time plucking ghostly synths and pianos, and Van Leeuwen added appropriately greasy pedal steel to "Burn the Witch." But when they all picked up axes, as they did on "My God Is the Sun," Homme, Van Leeuwen and Fertita whipped up a maelstrom of guitar heroics. A three-guitar attack is usually excessive, but Queens proved that with the right talent and arrangements, it can be beautifully executed.

Continue to page two.



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