Pü in the Lou: Pü Fest to Debut in St. Louis This Fall
"I don't think we could've come up with a better name," says Pü Fest curator Pat Boland. "We tried. We tried really hard."
"It rhymes with the first syllable of Louis, which is our city," adds festival co-organizer Mike Herr. "It's funny. You know LouFest. And now there's Pü Fest."
Local concertgoers now have a new event to consider during the weekend of September 6 and 7, the same as LouFest, and the premise isn't exactly coincidental. Boland and Herr partnered with local show promoter Luc Michalski to put together the first Pü Fest, an underground music festival featuring around twenty touring and ten local acts that subscribe to the likes of noisy punk, experimental and psychedelic tenets.
"It's not really an anti-LouFest thing. It's something totally different," insists Boland. "What they do is cool, and a lot of people like that and want to go, but that's really nothing to do with us, and we're nothing to do with them. While the choice of weekend is intentional, it's not meant to be a spiteful jab at LouFest. There are things going on here that are just as important as anything that goes on over there."
Mabel Suen Pü Fest curators Mike Herr, Luc Michalski and Pat Boland.
All three partners play actively in bands themselves -- Boland in the Conformists, Herr in Kisser and Michalski as the so-called "manager of local bad-boy rocker Black Panties" -- and they've put their heads together to pull in some of their favorite acts from collective performance and booking experiences.
The idea for the live musical festival, like any other, seems simple enough: showcasing what the team deems underrated bands at an affordable price and offering onlookers a glimpse at the underbelly of the music scene.
"I wanted to show off St. Louis to the rest of the country. I think there are a lot of bands here that are incredible that do not get much love. And there are a lot of people here who want to see good bands and get skipped over," explains Michalski. "It's just something that represents what St. Louis is doing and what its musicians are interested in, which is bizarre and far from pigeonholed."
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