Bryan Adams Was Straight From the Heart at the Fox Last Night

Categories: Reviews

Photo by Jeremy Essig
Bryan Adams and a fan at the Fabulous Fox.
Bryan Adams' appearance at the Fabulous Fox Theatre last night may have been the St. Louis live debut of his song "The Boy's Night Out" -- but the audience was clearly dominated by the fairer sex.

Adams, touring in celebration of the 30th anniversary of his No. 1, five-time platinum album Reckless, played a career-spanning set that included the 1984 album in its entirety, including some outtakes. And while many men were in attendance, it was the women in the crowd who drove the show.

"He's a rocker and a lover," said Carol Haugen, who was seeing the Canadian songsmith for the first time.

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Cracker Performs an Intimate, Stripped-Down Set at Euclid Records: Review

Categories: Reviews

Mike Vangel
Cracker, performing at Euclid Records.
Cracker was always one of those bands that my dad sort of used to like. Meaning that in my iTunes under "Cracker," there are just a few songs off the band's debut album and its follow-up, Kerosene Hat, whose name I only know for sure because I Googled it. There's nothing listed in the "Album" field, which means those tracks probably came from our brief stint with Kazaa. (Sorry, David Lowery & Co.)

Because he'd introduced me, I invited my dad to come along to Cracker's performance Saturday afternoon at Euclid Records.

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Review: Run the Jewels Plays St. Louis As Tear Gas, Riots Rage In Streets

Categories: Reviews

Photo by Micah Usher. View our complete slideshow here.
Run the Jewels, performing in St. Louis.
It was a show that probably never should have happened.

Run the Jewels, the rap duo of Atlanta's Killer Mike and New York's El-P, had added a St. Louis stop to its already-planned tour only a month prior. The venue made the announcement on October 24, the same day the group released its critically lauded new album, Run the Jewels 2, to the public. According to remarks El-P made onstage, it was the last city added to the tour.

See also: Killer Mike Gives Searing, Tearful Speech in St. Louis Following Ferguson Grand Jury Decision

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Bob Reuter's Last Tape Captures a Broken and Wonderful Life

Categories: Reviews

Jon Scorfina
The late, great Bob Reuter.
By Jenn DeRose

The Stage at KDHX was sold out for a screening of the documentary Bob Reuter's Last Tape, shown on November 16 as part of the Whitaker St. Louis International Film Festival. The film consists of testimonials from the artistic community, still photographs, footage of live performances and interviews with Reuter so intimate that director Josh Rolens deems them "confessions," serving as a retrospective of Reuter's life and work. The film oscillates between the extremes of Reuter's moods, from the bleak "I can't be happy" periods to the joy he derived from his artistic endeavors. Filmed a few years prior to his untimely death, Rolens captures the upswing, if not the height, of Reuter's creative life.

See also: Remembering Bob Reuter: St. Louis Speaks

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Aerosmith's Joe Perry Walks His Way in New Memoir

Categories: Reviews

Copyright Ross Haflin/Simon & Schuster
Joe Perry tells his life story -- before and after the gray streak -- in ROCKS.
While they may not be blood brothers, Steven Tyler and Joe Perry, singer and guitarist for Aerosmith, respectively, might as well be, given the relationship they've had for more than 45 years.

It's a love/hate story that Perry details extensively in his new autobiography, written with David Ritz, ROCKS: My Life in and Out of Aerosmith (432 pp., $27.99, Simon & Schuster). And, if you've been following the saga of the "Toxic Twins" today, the future of one of America's greatest hard-rock bands is still in flux. At the time we spoke with Perry, just days before publication, neither Tyler nor any other band member had seen a copy of the book.

See also: The Drug That Helped Turn the Beatles into the World's Greatest Band

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Middle of the Map Fest Doesn't Disappoint in its Fourth Year

Photo courtesy of Jim Vondruska
Yoni Wolf of Why? at Kansas City's recordBar

Four hours west of St. Louis lies a Midwestern city rife with curiosities. Its denizens may seem familiar to the eyes of St. Louisans, but the terrain is alien enough to mask itself in the guise of a pseudo-adventure. This place is called Kansas City, and the reason for the gathering is the Middle of the Map Fest.

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Tef Poe and Rockwell Knuckles' David Ruffin Theory is Everything We Hoped it Would Be

Categories: Hip-Hop, Reviews

Tef Poe and Rockwell Knuckles dropped their much-anticipated David Ruffin Theory EP this week, and it is spectacular. Across twelve tracks of ethereal production Tef and Rocky weave in and out, each skillfully employing his individual style -- Rocky's more sing-songy approach still contrasts beautifully with Tef's hard-edged, pointed lyricism.

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The Album is Not Dying, Despite What You May Have Heard

Categories: Reviews

From the Shangri La art
Tell this guy about the death of the album.
By Michael Corcoran
"The album is dying in front of our very eyes," Variety columnist and music business know-it-all Bob Lefsetz wrote recently based on weak LP sales, including Katy Perry's Prism, which sold only about 220,000 copies in its first week.

"If your plan is to increase your audience, spread the word and make money, suddenly the album just isn't working anymore," he continued. "We've turned into a nation of grazers. And the artist's job is to constantly be at the smorgasbord. Not to deliver one big meal that is picked at and thrown away, but to constantly provide tantalizing bites to the public."

As if Bob Lefsetz knows anything about "the artist's job."

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Review: An Under Cover Weekend 7 Delivers Two Nights of Memorable Music

Dots Not Feathers, performing as Queen
Here we are again. The weekend has succeeded in melting into Monday, and An Under Cover Weekend is embedded in lore until next September. The annual event, which draws sold-out crowds to the Firebird each year has left us until next September. An Under Cover Weekend 7 showcased the technical prowess of bands like the Feed and the Incurables, and the simple beauty of Scarlet Tanagers' harmonies. It gave Bredon Jones of Last To Show First To Go reason to flex vocal muscles he wasn't even sure he had. It also gave rise to a new guard who will satisfy St. Louis' stomach pains for another show-stopping act like Via Dove, who after five cycles bid AUCW adieu.

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No Surprises as the Killers Rock LouFest: Review, Photos, Setlist

Theo Welling
The Killers at LouFest
It's hard to believe that the Killers has been around for a decade. It's one of those bands that perpetually feels like a young whipper-snapper that should get off our lawn -- that is, until we hear "A Dustland Fairytale" on the radio and realize that Brandon Flowers and the gang have produced a gazillion singles.

So when the Killers closed out day two of LouFest -- and the entire festival -- the band had a huge arsenal of songs to rock the massive St. Louis crowd. The boys excelled on that front, but the performance reminded us that while they do put on an entertaining show, the Killers is not an experimental band. You are basically going to hear album versions of everything, with little variation. And maybe that's OK, as long as you know what you're getting into.

See Also: Our Complete LouFest 2013 Coverage

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